Showing posts with label On the Road. Show all posts
Showing posts with label On the Road. Show all posts

Saturday, January 11, 2014

The Colt 45 Chronicle #51

Dark as dusk near midday with the rain pouring down. Earlier this morning out on run, most if not all passersby geared up with Seahawks hats and jerseys, I suddenly became concerned about the emotional impact a loss this afternoon would have on the collective psyche of the city. We are attached by heart and hip to this football team -- to Marshawn Lynch and Richard Sherman and Russell Wilson and Golden Tate and Earl Thomas. Our suffering will be immense if they falter.

Speaking of suffering, I dropped a table on the top of my foot the other day setting up for a safety training at the local. It hurt so much I entertained the thought that it might be broken. The monkey mind starts chattering away, and you have to apply the higher mind. The higher mind was saying, "Look, simmer down. If the foot had a break, I wouldn't be walking. Plus, it would be swollen so much it would hurt to be wearing a shoe." But the monkey mind keeps on chattering, "You don't know that! There are a lot of bones in the foot. And it'll probably swell up tonight. Why not at least go get an X-ray?"

I stopped off at the grocery store last night to get my shopping done for the coming work week. When I got home I noticed that my computer was powered down. Unusual. I always leave my computer on; I let it go into sleep mode. When I tried to boot it up I had difficulty. After a long while it did start up, but I could not access my accounting software -- Quicken -- nor my iTunes. I ignored it. Then before going to bed I decided to restart the computer, which it would not do, staying perpetually in "Shutting down . . ." mode.

I went to bed and left the computer running like that. Around 1 AM I was awoken by a young man-young woman dispute taking place on the street below. The guy was repeating this torrent of words punctuated by the word, "Now!" I could not make out the others words in the torrent. Just the cadence ending with "Now!" Over and over again he repeated it like some kind of black-magic incantation.

I took the opportunity, being up at 1:30 AM, to try to reboot my PC, which was still stuck on the "Shutting down . . ." screen. This time it would not boot. I tried to remember how to access the BIOS screen and the process I went through a couple of months back when I have was having problems, but I was groggy and couldn't remember much.

Finally, after going to my filing cabinet and determining after a halfhearted search that I hadn't saved the instructions to boot to the BIOS screen, I decided to power down the computer one more time and just let it sit all night trying to boot.

By the time I got back to bed, I heard another voice down on the street. Apparently a resident of my apartment building, a guy my age maybe a little older from the first floor who I didn't recognize, was not so tolerant of the ongoing dark arts lovers' street quarrel. He had gone to the street in his rain gear and intervened. He was telling the guy to leave the young woman alone. I guess the young guy had grabbed the young lady. So the young guy and the rain-geared neighbored argued, with the neighbor yelling to a woman -- (his girlfriend? his wife?) who must have been at the window of their apartment -- to phone the police. I was about to get dressed and go down, debating the wisdom of adding my voice to the drama, when I saw the young woman take off down the street, and then shortly thereafter another young man came up from out of nowhere in a black t-shirt and took the aggressive young man by the arm and led him away.

And with that quiet returned. And lo and behold! In the meantime my PC had booted. I went back to bed and slept soundly.

The letter below, from more than a quarter-century ago, is addressed to my father, with whom I have a good relationship to this day. I visit him twice a year at his Solano County home, and we run a road race together.

In college I was a Kantian, but one who was seduced by Hegel's revision of Kant, that noumenal knowledge was possible. At the time my father and I shared the Hegelian seduction, this Beatnik idea, as expressed by Dean Moriarity in On the Road, that "we know time." (I was also, as you can see, heavily influenced by Paul Virilio.)

Now I am a Kantian of the type expressed by Jacobi when he said that the rationalism of Kant's critical philosophy ends in nihilism; he thereby coined the term. I do think we can know time, but I don't think that offers any liberation from the idea that the unknowable, systemically, always remains unknown.

Nihilism is the province of fathers and sons. It is no coincidence that nihilism was first popularized in an 1862 novel by Ivan Turgenev which was translated into English with the title Fathers and Sons. The great Cormac McCarthy's last two novels -- No Country for Old Men (2005) and The Road (2006) -- both enormously successful critically and commercially, explore this connection between nihilism and fathers and sons. Nothing says it better than the Sheriff's dream at the end of No Country for Old Men, delivered by Tommy Lee Jones who played Sheriff Ed Tom Bell in the 2007 movie version of the novel:


Autumn 1988
Well Dad, I tell you, I forgot the exact point of this correspondence. Did it have something to do with the car? I remember the bike(s) and the missing box information, but that's it. So anyway, I bought a Casio watch today. I was getting sick and tired of the gold dandy that uncle Boo-guy gave me; it made for a left hand (because of the wedding band) that was a little too ostentatious for my palate; and you had to wind it regularly, making life run five-minutes fast or days slow. The digits on the Casio don't leave any room for doubt, and the unostentatious black speaks to my heart. But this shift raises an important question: the shift -- my personal shift -- from circular time to linear time. The old conception of time, the circular one, was something I definitely had to live under for a spell, and it did me an unquantifiable sum of good. But I always had the itch to return to linear tine, and today I did. If I start to notice those ill effects I have come to attribute to the Casio scheme of things, I'm going to have to go back to the gold dandy, at least for a couple days a week.
[Weeks passed] Ashley is doing just fine. Midterms are i.n about a week. And thank goodness for the A's. I've almost given up on the 49ers. They don't televise the games out here very often, though I did enjoy the early season 4th-quarter conquest of the pompous Giants.
[Weeks passed] Well, needless to say, I'm back to the 49ers now. The World Series left me shattered for a while. Everyone needs their salvation. So I'm back to my old status of blood and guts for the red and gold. The squeaky stallion is gonna make at least one more gallop on the Western trail, to the land of Hegel, champion of the Occident. Hegel's schtick was that we know time, and by me that's just about the hippest, most optimistic thing a person can come to; so I don't shy away from all the bad raps he gets as a rigid Trinitarian dialectician Prussian apologist. His core, heartfelt insight was that the noumena, the unknowable element in our world, is a product of time, and is revealed through time. Hey, that's okay. Because of you and mom and whatever you two we're going through, I got a taste of the Sixties explosion and a heap of the Seventies confusion. I did the Eighties myself. But knowing time is a dangerous thing. It's what Nietzsche talked about in THE USE AND ABUSE OF HISTORY; it's the opiate of looking backwards, of resting on one's rotten laurels (what the old Christmas tree looks like on the first day of spring). Knowing time always has got to be coupled with a philosophy of speed, of shooting forward and taking on the accidental; otherwise, there isn't anything to ruminate historically about. In Hegel's scheme, the accidental (what he calls Nature) steps up, transmogrifies, evolves through the dialectic into the rational (Geist, spirit). So the accidental is essential fuel for the old thinking machine. 
I send along a picture of one of my hearts, which you know well.

Friday, June 7, 2013

Hippies vs. Punks: Fly Like an Eagle 1976

The sunshine patriots of 1976 celebrated the United States Bicentennial by slathering themselves in light California rock. One of These Nights (1975) by the Eagles, Frampton Comes Alive! (1976), Fleetwood Mac (1975), Steve Miller Band's Fly Like an Eagle (1976) all were recorded in California and all charted on the Billboard's Year-End Hot 100 singles for 1976.

Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future

I want to fly like an eagle
To the sea
Fly like an eagle
Let my spirit carry me
I want to fly like an eagle
Till I'm free
Oh, Lord, through the revolution

Feed the babies
Who don't have enough to eat
Shoe the children
With no shoes on their feet
House the people
Livin' in the street
Oh, oh, there's a solution

I want to fly like an eagle
To the sea
Fly like an eagle
Let my spirit carry me
I want to fly like an eagle
Till I'm free
Fly through the revolution

Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future

I want to fly like an eagle
To the sea
Fly like an eagle
Let my spirit carry me
I want to fly like an eagle
Till I'm free
Fly through the revolution

Time keeps on slippin', slippin', slippin'
Into the future
Time keeps on slippin', slippin', slippin'
Into the future
The image of a bird flying to the sea is likely lifted from the powerful ending to Visions of Cody, Kerouac's source book for On the Road (1957). If there is a Book of Genesis for the counter culture it is On the Road. And if there is a film version of this Hippie Book of Genesis it is Easy Rider (1969).

And what is the philosophical underpinning of both On the Road and Easy Rider? Man understands -- Man has the ability to know -- time. As the Neal Cassady character Dean Moriarty says in On the Road, "Everything is fine, God exists, we know time. Everything since the Greeks has been predicated wrong. You can't make it with geometry and geometrical systems of thinking. It's all this!"

What's On the Road about? It's about becoming free, pursuing one's path aimlessly -- time unmarked and unbound from work and family and study and all expectations other than the adventure at hand. In other words, a trip to Mexico. What's Easy Rider about? Making one big cocaine score in Mexico, selling it to Phil Spector, and then heading out on the road to Mardi Gras.

Before Wyatt (a.k.a., Captain America) and Billy take off on their motorcycles, Captain America pulls off his wristwatch and tosses it on the ground. Heroes don't do clocks. Then at the end, right before Captain America and Billy are shotgunned by the rednecks, Wyatt says, "We blew it!" What does Captain American mean? He's responding to Billy's gleeful prattle about being rich and retiring to Florida; Captain America realizes that their entire enterprise was merely a reaffirmation of the rat race and the equation of time and money. Make a pile of loot and retire to Florida. Easy Rider as a film version of the Hippie Book of Genesis is a refutation of Founding Father Ben Franklin's "Time is money."

Fly Like an Eagle had three top ten hits: "Take the Money and Run," "Rock'n Me" and "Fly Like an Eagle" (which though released as a single at the end of 1976, didn't chart until March of the following year). Go into any hardware store or walk onto any construction site in North America on any given day and chances are that you'll hear Tea Party politics and classic rock radio; and on that radio "Fly Like an Eagle" will be playing. Like the hackneyed insect trapped in prehistoric amber, Time keeps on slippin', slippin' slippin' into the past.

The past is 1976. Gerald Ford is on his way out, having successfully managed the aftermath of the Watergate crisis with his controversial presidential pardon of Richard Nixon as well as having shrewdly got out front of the Church Committee and Nedzi/Pike Committee with his Rockefeller Commission and thereby arguably lessening some of the public outrage over revelations of the nefarious aspects of American Empire.

This was a moment of structural weakness for the Leviathan, known in Iran as Great Satan. But the Hippies were no longer in any mood to confront "The Man." They elected an evangelizing peanut farmer from Plains, GA who promised them clean government but who ended up bequeathing us our current corrupt and exhausted neoliberal paradigm, hallmarks of which are rule by and for the 1%, government gridlock and permanent military occupation of the Persian Gulf (Carter Doctrine).

So much promise evaporated between 1975 and 1980. We went from Empire exposed and on the defensive to Empire reborn. The Hippies could have done something. But they didn't; they were tired. They were content listening to their sun-drenched California rock, safe in suburbs and exurbs with their good dope and coke. The horizon was clear. The mists of the Aquarian Age had finally, after more than a decade, burned off. In 1976 things seemed, for the moment at least, peaceful, hopeful, new. Almost perfect. It's no wonder that the Hippies decided to kick back, enjoy the clear weather and "fly like an eagle to the sea" (and it's no coincidence that this is also a critical year for the Punks).

Today, more than 35 years later, we have lost touch with the message of "Fly Like an Eagle," even as it is pooped anew endlessly out of countless speakers across our broad continent. It is a radical message. Homo sapiens sapiens is a creature capable of knowing time -- a ghost trapped in the present, ruled by force, but somehow forever slippin' into the future.