Recently another blockbuster Marvel Comics crossover event came to an end. Infinity was a sprawling (spanning a dozen different titles) and ambitious (I think too much so) saga of inter-galactic creation, destruction and warfare between superheroes and supervillains. Penned principally by Jonathan Hickman, it factored in Thanos, the mad Titan butcher, in a way that never seemed organic to the main narrative (which was interesting and had do do with the Builders, the primary originators of the universe).
Hickman introduces new characters, both heroes and villains, along the way; Thane, son of Thanos, for instance, whose special powers are unleashed with the detonation of a Terrigen Bomb by Black Bolt and who will likely figure in the present Marvel blockbuster crossover event, Inhumanity. You see, one crossover event gives way to another.
The point of these crossover events is to make money for the parent corporation. The reader is sent on a spending spree in a largely vain attempt to keep abreast of the narrative, scattered as it is over many different comic books. A feeling of immersion in or presence with the story is almost never achieved. The feeling is rather always one of deferral or difference. But in this I guess you could say, in true Derridean fashion, that Marvel is treating its readers to the essence of writing.
Below are ten scans from Infinity #6 covering the climactic final battle between the Avengers -- Hulk, Ms. Marvel, Thor -- and Thanos. But it is Thanos' son Thane that ends up conquering the evil Titan, freezing him in a cube of "living death" that conjures up images of Thanos' demise in his original appearance in the Captain Marvel of the Watergate-era 1970s. Jim Cheung is the penciler.
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