Below are five scans from the opening pages of Lee Weeks' Daredevil: Dark Nights #1, colors done beautifully by Lee Loughridge. There's something about Daredevil and Manhattan rooftop water tanks (scan #2) that captures an essential part of New York City that I haven't found accurately represented elsewhere:
Showing posts with label Lee Loughridge. Show all posts
Showing posts with label Lee Loughridge. Show all posts
Saturday, August 3, 2013
Daredevil: Dark Nights #1
If you want to enjoy a fine example of the power of the comic-book medium check out Lee Weeks' Daredevil: Dark Nights #1. Good art creates a space where you're participating in whatever you're witnessing -- whether watching a play or looking at a painting -- but you're also someplace else, almost like another planet with light gravity, where your mind is able to roam free, moving light as a feather here and there wherever it wants to go. It's totally refreshing. And while you can access this space by reading a book, I think it's more difficult. Following the written line, finding what Jack London called the White Logic, requires a type of concentration that moves in the opposite direction of that "someplace else" space.
Below are five scans from the opening pages of Lee Weeks' Daredevil: Dark Nights #1, colors done beautifully by Lee Loughridge. There's something about Daredevil and Manhattan rooftop water tanks (scan #2) that captures an essential part of New York City that I haven't found accurately represented elsewhere:
Below are five scans from the opening pages of Lee Weeks' Daredevil: Dark Nights #1, colors done beautifully by Lee Loughridge. There's something about Daredevil and Manhattan rooftop water tanks (scan #2) that captures an essential part of New York City that I haven't found accurately represented elsewhere:
Saturday, May 11, 2013
Fury MAX #11
Below are three scans from Fury MAX #11, written by Garth Ennis, with art by Goran Parlov and colors by Lee Loughridge. This has been a high-quality, consistently excellent series. Starting with the Battle of Dien Bien Phu, with stops along the way in Castro's Cuba and the Cambodian jungle camp of General Giap, Ennis tells the secret history of U.S. covert military operations through the jaded eye of war-weary but ever-bloodthirsty Colonel Nick Fury. With issue #11 we're on the Honduras-Nicaragua border in the 1980s during the Contras-Sandinistas war. Fury is playing cat and mouse with a renegade group of U.S. Special Forces who are racking up a horrific body count. This is a beautiful, well-crafted comic book. Check it out.
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