Showing posts with label Stereolab. Show all posts
Showing posts with label Stereolab. Show all posts

Sunday, July 6, 2014

The Colt 45 Chronicle #69

The holiday weekend draws to a close. It was a good one: quiet, relaxing and modestly productive in that I was able to clean out a closet for the landlord so that he can enter the studio tomorrow or the next day and access a connection to the kitchen drain in the apartment next door. I have enjoyed listening to Stereolab all day. If you have never taken the time to listen to the group, their music is superb. A number of full-length recordings are available on YouTube. Such as Dots and Loops (1997). All Stereolab records are high quality, and Dots and Loops is no exception.


The letter below, written to my college buddies Mark and Niall, who lived across the street from the Panhandle in Haight-Ashbury, is an homage to buddy love. I had spent the end of December and most of January with them while I worked a construction job in the East Bay in order to get the money together for a plane ticket back to New York City and the wife.

The letter covers two topics. The first paragraph describes a moment of voyeurism when I briefly see Mark's gorgeous blond girlfriend, disrobed but towel-covered, scooting into the bathroom for a morning shower. I accurately predict a future for myself where I am "much more alone" (though I hasten to add that I am never lonely, because of the exigencies of employment, and I rarely, thank goodness, occupy myself with carnal fantasies).

In the second and final paragraph I impart the secret wisdom of the martial artist. To quote Bukowski's motto, "Don't try." In my twenties I was a street fighter. During my stay in San Francisco that January, Niall and I got into a brawl with two Latino guys on Haight Street. It was late. They were driving in their car. They said something; we said something back. And the next thing we knew the fists were flying. We ended up running them off, not because of any superior prowess, but because we were bigger. What I remember about that fight is that the guy I was locked in combat with, realizing that he was getting beat, sort of snapped and started clawing at my eyes with his fingers. I recall my eyeball being scooped and then thankfully sliding free of one of his claws. The next day I had scratches all around my eyes. Anyhow, this is the incident that I have in mind when I say, "I want to talk about the stupidity of it all . . . ."
Winter 1989 
Just a short note of deep thanks to the BOYS ON OAK STREET. Man, I miss you two. Like blood brothers we are: I can sleep with one and swipe the underwear of the other, and that's as damn near close to a spiritual paradise as I think I've ever been. Whether it was $2 burrito, Coors, a shit dropped in your green crapper, I was there, I was home, hand in glove and all the rest . . . catching a glint of Gail wrapped in a white towel, Saturday morning, skimming down the hall and into the bathroom, over home plate and into the catcher's mitt; bit I knew she was no spitter; no way, too clean, straight fastball, no funny rotation. She looked a lot like the Virgin Mother, but of the U.S.A. 80s; you know, Michelob, television on TV, beautiful, perfect, sex organs never ever belching Joseph's fish sauce. And I stood there, protected by some angle of some doorway (I think the kitchen's), soaking it in for the millisecond that it lasted, imaging myself older and much more alone, licking greasy fingers and slicing bloated lips on long sharp nails. It was silent and oh so good. 
But I want to say something about fighting and all that shit. I want to talk about the stupidity of it all, and this in face of the fact that it does seem to be valorized when I'm around, and this largely due to my efforts. It's what Bukowski himself calls the "Bukowski myth." It's bullshit, and it's a comedy, a big fucking macho idiot belly laugh. I remember when I first cracked the shell on the big mystery. I was down on the street in the East Village, a fist of some big fucker pummeling the back of my head and neck. And then all of sudden everything got real quiet, in my brain that is, and the wet concrete, from which I was trying to push myself up, became as soft as a set of freshly washed flannel sheets. I had a big smile on my face. Shit, I thought, what a joke. I might as well be making a cup of coffee, cleaning the cat box, writing a letter, etc. And that was the key, very mundane, to victory.

Monday, March 25, 2013

"Neon Beanbag" + "Neon Meate Dream of an Octafish"

Today, the sun! I took my first lunch break in three weeks. My chores of transporting boxes to the new building are almost completely finished. I now have only a few more days in the Pratt Park neighborhood before it's an ignominious return to public transportation; in my case, the light rail out to Seatac.

At lunch I walked up to Douglass Truth Library and returned a Clifford Brown and Max Roach CD, and then it was back to my usual bench in Pratt Park facing south. A perfect early spring afternoon. And to top it off I was treated to a majestic alphabetical song title sort combination. First, from Stereolab's Chemical Chords (2008) album, the lead track, "Neon Beanbag":


That got my toes tapping and head bobbing in the noon sunshine. Then, next up, I was showered by Captain Beefheart & The Magic Band's "Neon Meate Dream of an Octafish" off the seminal Trout Mask Replica (1969):


All in the sun. Both songs made great sense being drenched by sunlight while I wore a black fleece. Fiat lux!

Friday, February 1, 2013

I'm with the San Francisco 49ers

Here comes the (Super Bowl) Sun(day). Sitting in Pratt Park this afternoon during the noon hour, for the first time in so long that I can't remember the last time I sat on the bench facing south and soaked up the sun, on my iPod shuffled Stereolab's "Blips, Drips, and Strips." Suddenly a moment of perfection.


Super Bowl Sunday is the closest we come in the United States to a national celebration. Forget the Fourth of July. Super Bowl Sunday is our winter revival. So you would think that Ray Lewis is going to Bible-thump his way to a Ravens victory. But you would be wrong. "There is nothing new under the sun." But there will be something new beneath the lights of the Superdome, and his name is Colin Kaepernick.

In the spirit of Montana the young Kaepernick will lead San Francisco to its sixth Vince Lombardy Trophy. You think Ed Reed is going to outfox the 49ers Adonis?  I don't think so. Yes, Torrey Smith and Anquan Boldin will have some success against the 49ers secondary. But does it add up to 28 points? That's what I think the Ravens need to top Kaepernick, Gore, Davis, Crabtree and LaMichael James. I don't think Baltimore gets there. I think the Ravens will get close, and I think -- I hope -- it's going to be an excellent game. May the best team win. Allahu Akbar.

Tuesday, January 29, 2013

Moon Phases + "The Free Design"

I've run precious little this winter compared to last. Last year at this time I went out so often at night after work that I was in tune with the phases of the moon. Though I must admit that the whole waxing crescent, waxing gibbous, waning gibbous, waning crescent nomenclature is a little hard to get a handle on. In any event time spent under a winter moon is better than time spent in front of a video monitor.

My musical selection for tonight's run began with a track, "I Think I Blew It," off Kinski's Airs Above Your Station, followed by the mood-improving "The Free Design" off Stereolab's underappreciated album from 1999, Cobra and Phases Group Play Voltage in the Milky Night.