Seeing how this is the opening weekend of Iron Man 3 in North America, a few words on the latest Marvel Iron Man title, Iron Man Vol. 5. Below are two scanned pages from Iron Man #6, written by Kieron Gillen with pencils by Greg Land and inking by Jay Leisten:
Gillen is a capable writer. I enjoyed his recent boy-Loki run in Journey Into Mystery. And Land is a journeyman; his work on Uncanny X-Men, also written by Gillen, was solid. But the current Iron Man narrative, which casts Tony Stark as an intergalactic traveler in service of a huge Disney Star Warsesque production coming to a theater near you in the not-too-distant future, pales compared to the Zeitgeist-defining Invincible Iron Man, written by Matt Fraction with art by Salvador Larocca. (Hopefully when historians study the United States from the 2008 McCain-Obama presidential election campaign to the 2012 Romney-Obama presidential election campaign they will consult the amazing, consistently excellent, four-year Fraction and Larocca run in Invincible Iron Man. A lot would be revealed.)
Working with masterful artist David Aja and colorist Matt Hollingsworth, Fraction once again has one of the best superhero comic books around, Hawkeye. It is at once both forward and backward looking. It taps into that sunny Stan Lee optimism of the middle-1960s but maintains a stylistic edge; afterall, Clint Barton (a.k.a. Hawkeye) lives in Brooklyn! Below are scans of the first four pages of Hawkeye #6:
Showing posts with label Matt Hollingsworth. Show all posts
Showing posts with label Matt Hollingsworth. Show all posts
Saturday, May 4, 2013
Thursday, January 24, 2013
PunisherMAX
Evil is all there is. Evil and the extirpation of evil. Personal injury and an unending feeling of loss propel you. This is the world of Marvel Comics' Frank Castle, The Punisher. He is an archetypal American hero. The lone killer. The outsider. The perfect nihilist. John Wayne's Ethan Edwards in The Searchers.
Last year at this time, the work week following the MLK holiday, we enjoyed the unusual bounty of four days of snow closures at the local. I celebrated this windfall by reading the entire run of PunisherMAX. Written by Jason Aaron with art by Steve Dillon and colors by Matt Hollingsworth, I want to call it a masterpiece.
The Punisher doesn't have super-strength or a healing factor; he's not a mutant or a mystic. Frank Castle is an ex-soldier whose family was gunned by the mob. He is a vigilante and a killer; he brings to mind D.H. Lawrence's Studies in Classic American Literature and the ruminations found there on Deerslayer of the Leatherstocking Tales:
What really affected me about PunisherMAX is Frank Castle's return to the house he lived in with his family prior to the slaughter of his wife and children; he uses it as a base of operations for his war against the Kingpin. Similarly I find myself forever returning in dream to the apartment in Berkeley I shared with my ex-wife; it's always abandoned and blighted -- sick -- like Frank Castle's old suburban home. Why am I always going back there? Over the years it has become such a familiar pattern that when I find myself there I know I am inhabiting a dream. Is it in The Future of an Illusion that Freud says to be an adult is to be at home with loss?
Frank Castle is a guy without specials powers; a guy without an ounce of levity in his soul; someone who is always injured and exhausted and suffering. Then it dawned on me as I finished the last few issues in the series that what PunisherMAX is about is work. Going to work. Everyday. We got to do it. It's a nasty business that requires a lot of painful compromises. But we got to do it.
Below are three scans from PunisherMAX. The first two are facing pages from PunisherMAX #21. The third is from the last issue in the series, PunisherMAX #22. I selected pages that caught the haunted vibe of his occupation of his old, abandoned house.
Last year at this time, the work week following the MLK holiday, we enjoyed the unusual bounty of four days of snow closures at the local. I celebrated this windfall by reading the entire run of PunisherMAX. Written by Jason Aaron with art by Steve Dillon and colors by Matt Hollingsworth, I want to call it a masterpiece.
The Punisher doesn't have super-strength or a healing factor; he's not a mutant or a mystic. Frank Castle is an ex-soldier whose family was gunned by the mob. He is a vigilante and a killer; he brings to mind D.H. Lawrence's Studies in Classic American Literature and the ruminations found there on Deerslayer of the Leatherstocking Tales:
But you have there the myth of the essential white America. All the other stuff, the love, the democracy, the floundering into lust, is a sort of by-play. The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.The Punisher's credo is when in doubt subject yourself to more pain. So during the week of heavy snow, despite feeling over-trained and suffering a sore throat, I went out running four miles in the abandoned, silent, white streets each day except for one.
What really affected me about PunisherMAX is Frank Castle's return to the house he lived in with his family prior to the slaughter of his wife and children; he uses it as a base of operations for his war against the Kingpin. Similarly I find myself forever returning in dream to the apartment in Berkeley I shared with my ex-wife; it's always abandoned and blighted -- sick -- like Frank Castle's old suburban home. Why am I always going back there? Over the years it has become such a familiar pattern that when I find myself there I know I am inhabiting a dream. Is it in The Future of an Illusion that Freud says to be an adult is to be at home with loss?
Frank Castle is a guy without specials powers; a guy without an ounce of levity in his soul; someone who is always injured and exhausted and suffering. Then it dawned on me as I finished the last few issues in the series that what PunisherMAX is about is work. Going to work. Everyday. We got to do it. It's a nasty business that requires a lot of painful compromises. But we got to do it.
Below are three scans from PunisherMAX. The first two are facing pages from PunisherMAX #21. The third is from the last issue in the series, PunisherMAX #22. I selected pages that caught the haunted vibe of his occupation of his old, abandoned house.
Saturday, January 12, 2013
Hawkeye #3
Here's a scan of the second-to-last page from Hawkeye #3, written by Matt Fraction and art by David Aja; the colors which are super are provided by Matt Hollingsworth. There's buzz about this Marvel comic book. I've enjoyed it.
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