Showing posts with label David Graeber. Show all posts
Showing posts with label David Graeber. Show all posts

Thursday, July 20, 2017

Who Killed Dag Hammarskjold? Probably the CIA

An interesting, well-written story from this past weekend that I missed until this morning is "Do Spy Agencies Hold Answer to Dag Hammarskjold’s Death? U.N. Wants to Know." Written by Alan Cowell and Rick Gladstone, the article tells the story of CIA, British Foreign Office and Belgian intelligence services foot-dragging when it comes to complying with information requests made by Mohamed Chande Othman, a former chief justice of Tanzania, who has been tasked by the General Assembly of the United Nations with reviewing all the evidence and assessing the need for further inquiry into the mysterious 1961 plane-crash death of Secretary General Dag Hammarskjold:
Mr. Othman declined to speak about the findings ahead of submitting the report. But senior United Nations officials and other associates of Mr. Othman said he had compiled detailed new questions about intercepted radio communications and other aircraft in the area as Mr. Hammarskjold’s plane went down eight miles from Ndola’s airfield — and that the answers may be found in the intelligence archives of the United States, Britain and Belgium.
“We know from available information that they know much more than what they’re saying,” said one of the senior United Nations officials, referring to the government keepers of those archives. The official spoke on the condition of anonymity to discuss a confidential United Nations report.
One theory is that the DC-6 may have been attacked or harassed by a French-built Fouga Magister fighter jet operated by secessionist forces in the southern Congolese province of Katanga, who were resisting Mr. Hammarskjold’s efforts to end their rebellion.
Seven months before the crash, three Fouga Magisters had been delivered to the secessionists aboard an American-owned cargo plane that was supposed to be delivering food. President John F. Kennedy was deeply embarrassed by the delivery, which was later reported to have been a C.I.A. operation.
Whether a Fouga was in the Ndola area on the night of the crash remains unknown, despite earlier assurances to Mr. Othman from the C.I.A. that it had no records of a fighter jet’s presence there, a senior United Nations official said.
Mr. Othman has also put new questions to Britain and Belgium about the findings of their own intelligence services. Essentially, the senior United Nations official said, Mr. Othman had asked Western governments to carry out “more exhaustive searches and comprehensive searches” through their archives.
His inquiries also include questions about two American military intelligence officials at different listening posts on the night of the crash, one of whom has since died. Both claimed years later to have overheard radio intercepts that suggested the DC-6 had been shot down. Mr. Othman has also inquired about whether an official American DC-3 aircraft had been parked at the Ndola airfield that night.
[snip]
To skeptics of the official accounts, the apparent reluctance by the big powers to share all they know with Mr. Othman is inexplicable, suggesting they are hoping for interest in the case to fade away.
David Wardrop, the chairman of the United Nations Association Westminster Branch, a group in London that has supported further inquiry into Mr. Hammarskjold’s death, said the responses by Britain and the United States appeared to show they had decided that “slothfulness is the best way to exhaust the U.N.’s process.”
States assassinate individuals. Is there any doubt? I am reminded of David Graeber's book The Utopia of Rules (2015). The state -- whether it's applying for a driver's license or attending grade school -- exists because of an ever-present promise of violence.

Sunday, June 21, 2015

AXIS #9


I finished David Graeber's The Utopia of Rules (2015) yesterday. The concluding essay of the volume is "Batman and the Problem of Constituent Power," which is a critique of Christopher Nolan's The Dark Knight Rises (2012) and its ham-handed politics; in particular, its not so veiled attack on Occupy Wall Street (OWS).

Graeber, as is his incredibly erudite wont, covers a lot of ground in the essay. He makes numerous interesting points: the superhero comic book is basically the depiction of a violent fugue state birthed in the 1930s, a time when fascism and Freud were in the ascendant; the villain represents the creative id who needs to be battered into submission by the superhero super-ego in order to restore the status quo; the superhero does not use his (less often, her) amazing powers to change the system to feed the hungry or house the homeless, but rather merely in a reactive capacity to guarantee the maintenance of the present system.

Graeber acknowledges that there are comic books that deviate from this pattern. But on the whole, he asserts, the mainstream superhero titles of industry giants DC and Marvel follow this generalized pattern. I think he is right.

I haven't done a comic-book post in several weeks. Part of the problem is that I'm reading more book books on the weekend, but it also has to do with my disappointment in two of Marvel's recent crossover events, AXIS and Original Sin. What made my disappointment acute is that these crossovers were written by two of my favorites, Rick Remender and Jason Aaron. Aaron's Original Sin was superior to Remender's AXIS, but both seemed tired, scattered, as if the writers were punching the clock, distracted while on the job.

Reading Graeber reminded me of the importance of keeping on eye on the comic book. Comic books are a culture's conscious dreams, its fantasies of power revealed.

There was an article, "Rise of Far-Right Party in Denmark Reflects Europe’s Unease," by Steven Erlanger in yesterday's newspaper that fits well with AXIS #9: "New World Disorder: Chapter 3 - Grinding Halt." AXIS is a "world turned upside down" narrative. Villains are heroes; heroes, villains. All the old verities have been upturned, as you can see in the seven scans below. The All-New Captain American, the formerly angelic Falcon, pummels to near death a superannuated Steve Rogers, the original Captain American, who is trying to protect his lifelong mortal enemy the Red Skull who is now a feeble and decent White Skull. To say the least, things are crazy; or as Erlanger mentions in his story about the fracturing political landscape in Europe, the traditional center has lost credibility:
LONDON — The surprisingly strong showing in elections on Thursday of Denmark’s anti-immigration, anti-Brussels Danish People’s Party has underlined a growing crisis of confidence in traditional political institutions and in the European Union itself.
European officials have seemed incapable of framing a credible alternative narrative to that of their critics in the face of rising immigration and slow economic growth, and parties expressing popular anger and anxiety are gaining traction, pushing politics rightward in some of Europe’s wealthiest and most stable countries, like the Nordic nations, Britain and France.
At the same time, the inability of the European Union and the eurozone to negotiate a compromise with Greece over that nation’s financial problems — to the point where a Greek exit from the euro and even from the bloc itself cannot be ruled out — has further undercut confidence in traditional political leadership and in the direction of European politics.

“We are in a new place, and people are right to be worried about the political direction,” said Simon Tilford, deputy director of the Center for European Reform, a London-based research institution. “The eurozone crisis, combined with outside trends like migration and globalization, has exposed the disconnect between domestic politics in many countries and E.U. politics.”
The effort of traditional political parties to attract alienated and angry voters has shifted the discourse. “Once society legitimizes talking of immigration and immigrants in a way now routinely discussed, there is a greater risk of policy becoming more extreme,” Mr. Tilford said.
In Denmark, the center-left coalition lost to a center-right coalition, but the main surprise was the Danish People’s Party, which ran second with 21 percent of the vote and beat the center-right Liberals four years after finishing third with 12 percent of the vote. The Liberals are likely to form a coalition government in any case, but the People’s Party platform, appealing to anti-foreigner, anti-Islamic and nationalist sentiment while promising incentives to older people, suggested fundamental shifts in public opinion.
The same formula has been used by France’s National Front, which is running strongly in opinion polls, as well as by similar parties in Finland, Sweden and Britain, where the U.K. Independence Party won only one seat in May’s election but got nearly 13 percent of the vote.
Greece is led by the far-left Syriza party, which won on a promise to end the austerity imposed by Brussels and to get a reduction in Greece’s huge and probably unpayable mound of debt. Syriza, like many of the right-wing populist parties, appeals to voters unhappy with “dictates” from the European Union’s headquarters in Brussels that trump national politics.
“Syriza and the Danish People’s Party are mirror images of one another, part of the same megatrend now in many European countries,” said Mark Leonard, director of the European Council on Foreign Relations. “There is a remaking of the political order, with centrist parties that have run politics over the last few decades being hollowed out and replaced by parties appealing to the fringes.” 
To Mr. Leonard, the shift appears structural, similar to the way that liberal parties were weakened a century ago and then surpassed by socialist parties, like the Labour Party in Britain.

“Globalization produces winners and losers, and large groups feel they’ve been left behind, no longer represented by mainstream parties,” Mr. Leonard said.
Marvel is registering this shift. The latest crossover event, Secret Wars ("Time runs out. Everything ends. Secret wars commence.") chronicles the collision of various universes into Battleworld. "Battleworld" is an accurate label for the world in which we live today.