Showing posts with label Ben Deily. Show all posts
Showing posts with label Ben Deily. Show all posts

Friday, January 22, 2016

Hippies vs. Punks: The Lemonheads' Lick (1989)


One thing is clear to me as this rainy week winds down: Lick (1989) is certainly the best Lemonheads record. It has it all. Ballads -- "A Circle of One" (The YouTube above) -- powerful Grunge rockers like the two opening tracks, "Mallo Cup" and "Glad I Don't Know," not to mention an amazing Punk love song, "Ever" (see You Tube below) and an adroit reworking of Suzanne Vega's contemporaneously popular hit "Luka."


Lick is the last Lemonheads album with Ben Deily and the last on independent label Taang! Records. Without Deily the band loses a lot of its Punk juevos and it basically becomes a vehicle for Dando's pretty boy Grunge (which achieves breakout commercial success a few years later with It's a Shame About Ray).

On the strength of Lick the Lemonheads were signed by Atlantic. I was at the performance where the deal was either broached or consummated, a show at CBGBs on a rainy summer Saturday night in 1989. There was hardly anyone there except for a bunch of older affluent record industry types with their dates sitting at tables back near the bar, 

Downtown Manhattan's population, at least when I lived in the city, tended to drop in density in the summer months; that, combined with the torrential downpour, made for deserted streets and a mostly empty CBGBs. Dando was out front in a white t-shirt chatting with someone when my buddy Gary and I got there. We had taken the 'A' down from Washington Heights and walked over from the West Village.

The Lemonheads -- Dando, Jesse Peretz and some guy on drums that I recognized from a photo on one of the albums -- were incredible that night. I shared the pit with two skinheads. (My friend Gary was not a fighter; he enjoyed the whole show positioned directly beneath one of the PA speakers. I would look over at him occasionally and he looked as if were teleporting Star Trek style, like he was atomizing before my eyes. That is how good the Lemonheads sounded that night.) The Punks and I beat the shit out of each other all night. They battered away at me, and we plowed through tables at the edge of the pit, yanking one another up off the floor when someone lost his footing so we could get right back to pummeling each other. I think we were as much a part of the show to the execs in the back of the hall as the band up on stage. I had an edge over the Punks because I was a believer in the music. I had picked up a copy of Lick as soon as it was released that spring. My wife and I played it non-stop. So by the end of the night, when the Punks had tossed in the sponge and sat down, I was dancing blissfully -- sort of a James Brown shoulder roll -- by myself on an empty floor.

As the old year was drawing to a close last month and I was walking to the library after work a New Pornographers song shuffled on my iPod, "Execution Day." It made me feel incredibly good. And since I was starting to think about The Lemonheads because I was watching Nurse Jackie episodes directed by Jesse Peretz, I thought about that night at an empty CBGBs dancing along to the band. And I realized I have never had a better night than that one.

Friday, January 8, 2016

Hippies vs. Punks: The Lemonheads' Hate Your Friends (1987)


The best thing about life lately is sleep. This January has been colder than last year's. The radiator doesn't heat up until well after five in the morning. So the result is I have been staying in bed much later than I usually do.

Recently I was gifted a flat screen television. I had basically stopped watching TV, except for football on Sunday when I would scrunch up in front of my 13-inch old-fashioned analog with its digital-converter antenna. To this bonanza of a large flat screen, I added my cheap DVD player which I fished out of the closet. Subsequently, I have been on a binge of library videos.

One treat was season six of Nurse Jackie. The guy who directs most of the episodes is Jesse Peretz, son of longtime owner of The New Republic and prominent neocon Marty Peretz.

Jesse Peretz was a founding member of The Lemonheads, a band that was important to me in my twenties. I chatted with him casually one of the times I saw The Lemonheads perform at CBGBs. He struck me as an exceedingly nice guy.

So I started thinking about The Lemonheads again. I've mentioned them here and there on this page before. And when I get to thinking about The Lemonheads, I think about the time I "heard" about the band for the first time; it was when I saw a write-up of Hate Your Friends (1987) in an issue of Maximum Rock'n'Roll that was bathed in moonlight on the floor of my college lover's bathroom. I was puking my guts out, and I think she was watching me from the doorway; and all I could think about was the brilliance of that title, Hate Your Friends.

The Lemonheads -- Evan Dando, Ben Deily and Jesse Peretz -- formed while attending the elite private Commonwealth School in Boston. They took their name from a candy that is sour on the outside and sweet on the inside. (I think the most representative Lemonheads song is "Mallo Cup," another candy.) Their first album, the aforementioned Hate Your Friends, owes a lot to California Hardcore. If I had to cite another band, I would say Descendents. Short, sweet, abrasive, pining, pop Punk -- really an amazing pastiche that tapped into something we were feeling in 1987, a longing for the purity of early Hardcore.


Ben Deily and Evan Dando split the songwriting and lead vocals on the album. It is an excellent combination. Deily has a classic "ant-man" Hardcore vocal style, while Dando sings more like a crooner (on "Nothing True," he sounds like Morrissey).

The first Lemondheads album I really bonded with is the followup to Hate Your Friends, Creator (1988), which I purchased on its initial release. I think I picked up a colored-vinyl version of Hate Your Friends at a record store on St. Mark's Place in 1989.

In any event, listening to Hate Your Friends repeatedly this week has been a pleasure. The young have their egos and their aspirations, and, walking up the hill yesterday after work something that leaped into my mind -- the ability to drink alcohol and have sex all day long. If that isn't purity I don't know what is.

Wednesday, June 5, 2013

Tawana Brawley Retrospective + Lemonheads' Creator

The day after famous former mayor of New York City and confirmed bachelor Ed Koch died I read his obituary and posted my comments, which drew attention to the Tawana Brawley controversy as a factor in Koch's failure to win a fourth term.

The other day a video -- decent, but not stellar -- was posted on the New York Times web site recapping the case. It's the twenty-fifth anniversary. The video, which is 14 minutes, is heavy on the investigation and on the incendiary aspects of some of Al Sharpton's statements and light on the social milieu that produced all the race crimes; it doesn't even mention the murder of Yusuf Hawkins.

The archive-project post from this past Sunday was written at a time when Tawana Brawley was probably on the television in the next room. At the time I was addicted to the LemonheadsCreator (1988). Here's "Postcard," with Ben Deily on vocals: